Re: Higgenbotham's Dark Age Hovel
Posted: Sat Apr 01, 2023 3:53 pm
Higgenbotham wrote: Sat Apr 01, 2023 1:06 pm Those who have looked further like John Michael Greer and Barbara Tuchman date the beginning of the collapse at roughly 1914. They would call it the start of the social collapse or, as Tuchman put it, a collapse in standards.
Higgenbotham wrote: Thu May 27, 2021 12:27 pmJohn wrote: Thu May 27, 2021 12:19 pm ** 27-May-2021 World View: Barbara Tuchman - A Distant Mirror
Barbara Tuchman
A Distant Mirror The 14th Century and Today
VTR Date: December 4, 1979
Guest: Tuchman, Barbara
THE OPEN MIND
Host: Richard D. Heffner
Guest: Barbara Tuchman
Title: “A Distant Mirror” The 14th Century and Today
VTR: 12/4/79
https://www.thirteen.org/openmind-archi ... and-today/
Thank you, John.
There's a transcript under the video.
As I've said before, I don't advocate that anyone adopt my view, but this interview gives some of the reasons for it. Obviously, Tuchman felt in 1979 that the world was in a similar situation to the 14th Century collapse (a distant mirror). Though aware of the reasons for others thinking so, I didn't feel that way until 2011.
In my personal experience, the difference between 1979 and post 2011 is that, in the period from 1979 to 2011, those with higher standards had the power to elevate the standards around them to avoid low standard outcomes. Today that is impossible on every level. Anyone with high standards today is forced to accept lower standards. I write about this constantly.
Navigator wrote: Thu May 27, 2021 5:48 pm I would also strongly recommend her book "The Proud Tower", concerning the world before WW1. I believe that we are at the cusp of a similar conflagration with similar consequences. It would be no shock to most here that such things are the result of similar attitudes/actions on the part of populations.
Here is a summary from a review of this book written last year in the Key Peninsula News:
“The Proud Tower: A Portrait of the World Before the War, 1890-1914” was a bestseller when it was published by historian Barbara Tuchman in 1966. Drawn from a collection of lengthy essays she had written for various magazines, it is a page-burning story of a world blundering toward collapse in what we now call “the Golden Age,” though no one who lived through it thought of it that way at the time.
“A phenomenon of such extended malignance as the Great War does not come out of a Golden Age,” Tuchman wrote.
The book takes its title from the 1845 Edgar Allan Poe poem “The City in the Sea” — “While from a proud tower in the town/Death looks gigantically down.”
“The Great War of 1914-18 lies like a band of scorched earth dividing that time from ours,” Tuchman wrote. “In wiping out so many lives which would have been operative on the years that followed, in destroying beliefs, changing ideas, and leaving incurable wounds of disillusion, it created a physical as well as psychological gulf between two epochs. This book is an attempt to discover the quality of the world from which the Great War came.”
And that’s just the second paragraph.
Like her more famous 1978 portrait of 14th century France, “A Distant Mirror,” Tuchman here too finds parallels in a bygone age that illuminate our own despite the esoteric subject. It’s as if she deliberately chose the most obscure pages of history to prove that modern society is just as vulnerable to the same kind of corrupting human foibles as that bygone age, and that we should guard against it, whether we live in the 1960s or 2020s.
The book is divided into eight chapters, each describing political and social developments in a different country, stretching from the United States across Europe to Russia, and the personalities who drove them. Reading it is something like attending a family reunion with relatives one has never met, resurrecting forgotten history lessons like buried memories (the Haymarket trial, the American invasion of the Philippines, that eccentric introvert Alfred Nobel), coupled with the unnerving sensation of having one’s own passions and antipathies echoed by people now dead for a century.
We step back through time to the era of the landed gentry and patrician parliamentarians of Great Britain at the zenith of her empire, to the fight for universal suffrage for (white) male voters and the eight-hour day on the continent, to the swelling imperialism of the United States, to a decade of assassination and bomb-throwing as a young intellectual movement called Anarchism is hijacked by the impoverished refugees of an eternal underclass who equate lack of government with freedom.
Presidential candidate Theodore Roosevelt publicly calls for the summary execution of socialists and trade unionists, including his opponent Eugene V. Debs. The Czar who freed the serfs is murdered and all thought of further reform in Russia disappears. A nobody French artillery officer, Alfred Dreyfus, is framed for espionage and sent to Devil’s Island, only to be released after the revelation of the corruption and anti-Semitism that sent him there destroys the government. World-weary diplomats establish rules for international arbitration at The Hague, with the certainty that modern war is obsolete. The premiere of Igor Stravinsky’s ballet, “The Rite of Spring,” in 1913 is so radically different from anything that came before, the white-tied gentlemen and elegant ladies of the audience erupt in riot. The first socialist leader of France is shot in the back in a Paris café by a French nationalist and the next day, Aug. 1, 1914, France and Germany mobilize for war.
Critics in 1966 and since have faulted Tuchman for a broad embrace that lacks analysis of the behavior of the Great Nations that led to the Great War. But she admits directly in her preface that while that was her intention at the start, the facts took her elsewhere.
“The Grosse Politik approach has been used up. Besides, it is misleading because it allows us to rest on the easy illusion that it is ‘they,’ the naughty statesmen, who are always responsible for war while ‘we,’ the innocent people, are merely led. That impression is a mistake.”